Things I like: Motorcyles-Dork stuff, & Football

self-emulation:

somersetnom:

uggly:

KNAPP The Post - war collection A/W 2012/2013
Costume design and styling Antonia Yordanova
Photography and post production Diliana Florentin
Jewellery design Milko Boyarov
Make-up Slav
Hair styling Dani Molchovska @ Arlet Hair studio
Model Pirina @ Ivet Fashion MA
Supported by Sonja Dimitrova

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The Star Trek lines of this collection speak to me

some of these are great but some of them are what i imagine the costumes would look like if the nazis had won ww2 and made a summer blockbuster movie abt it today.

mengs-mullet:

"Macho Man" Randy Savage’s Cincinnati Reds rookie card.

Fuck yes.

i-will-pursue-your-presence:

mythologyhotspot:

scottman99:

heyitsodette:

Splash Mountain Photos

YES

It’s funnier everytime I see it.

I like human beings.

2wheeltejas:

My dear friend and old graffiti crime partner @_sergiogarcia_ ,a real G, painted this tank for an other solid dude StevenBates builder of this righteous scoot , shits fuckin way dope !

2wheeltejas:

My dear friend and old graffiti crime partner @_sergiogarcia_ ,a real G, painted this tank for an other solid dude StevenBates builder of this righteous scoot , shits fuckin way dope !

Alfred is dressed in his best Easter outfit.

Alfred is dressed in his best Easter outfit.

king-emare:

vmagazine:

Jamel Shabazz: Street Photographer

Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / / 3

As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn.  “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]

©jamel shabazz.all rights reserved

I wish

We will meet again in better times.
Tatiana Nikolaevna in a letter to Anna Vyrubova, December 1917 (via splitterherzen)